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Hutter survives, but the vampire gets his wife. The movie’s title cards note that Knock pays his people well, but he nevertheless intentionally sends his employee into harm’s way, and possibly to his death, apparently so he can earn a sales commission. Still, he urges his young assistant to go to Orlok, and even to offer him the house across the street from where Hutter and his wife live. And he clearly knows that Orlok is indeed a vampire (Knock could be the vampire’s familiar). Knock is depicted as a twisted older man who can somehow read the strange, occult-looking writing of Orlok’s letter. But few remember these days that it’s actually a story about real estate: The story is set in motion when protagonist Thomas Hutter goes on the orders of his real estate agent boss Herr Knock to finalize a home purchase with Count Orlok - who turns out to be a vampire. Nosferatu is a masterpiece of the silent era and seminal text for the vampire genre. It’s arguably a fitting, moralistic ending to a tale about unbridled avarice, but that doesn’t change the fact that Ventura is a pretty terrible agent in every possible way. Ventura’s plans are all for naught, however, when he - along with most other characters - are eventually murdered as well. Franco Ventura, a real estate agent, is not only among those hoping to get the land, but also ordered the murder in the first place. The film revolves around the machinations of several characters who are trying to acquire the estate of a murdered countess.
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This 1971 Italian slasher film has a convoluted plot, gauzy cinematography and captures the essence of a very niche type of low-budget, midcentury European cinema. Don’t stick too closely to a script, for example, or disappear right when your clients need you the most. But on a more superficial level, his stilted behavior perhaps offers some lessons for real estate professionals. Look, Martin deserves some major criticism for luring a young couple into a weird and fatal sci-fi prison. The child grows up abnormally fast, the couple dies, and the child goes to the city and replaces Martin as a real estate agent. The young couple end up trapped in the suburb and are forced to raise an alien child. Martin gets creepier and creepier, before finally vanishing. Early on the couple visits a real estate sales office and encounters Martin, who convinces them to drive out to a spooky and empty suburb called Yonder.
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The movie follows a young couple, played by Imogen Poots and Jesse Eisenberg, who want to buy a house. Vivarium is a sort of cerebral horror movie, so it’s not surprising that real estate agent Martin, played by Jonathan Aris, is immediately creepy. So here is the best and worst of what Hollywood has to offer: 42. So, we’re looking here at how well these cinematic agents perform, not if they’re part of a well-told story. Some very low quality movies feature agents that perform their duties well, and some good movies feature absolutely terrible agents. This is also not a ranking of movie qualities. But it’s still tough to compare agents in realistic movies with agents in, say, sci-fi or horror flicks.
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In an effort to bring some rigor to this particular project, we looked at agents based on their enthusiasm, helpfulness to their clients, ethics and personality. If your favorite real estate movie didn’t make the cut, let us know in the comments.Īnd second, all rankings are subjective. There are hundreds of movies that feature real estate agents and we didn’t have time to go that deep. And at the other, there’s a real life Dorian Gray.Ī few notes, though. At the one end, there are agents who are literal monsters and murderers. In honor of this Sunday’s Academy Awards, Inman decided to dive into cinema history and look at both the best and worst agents on screen. But whatever the case, the profession has proven a rich well for screenwriters looking to explore ideas about love, death, home, aging, parenthood and more. Sometimes agents are villains, other times protagonists. Though agents may not have the kind of job that obviously translates into cinematic action, they’re both the background characters and protagonists of films in virtually every genre. They’re not Old West cowboys or political leaders.īut they are, it turns out, in all sorts of movies. They’re not gods like Thor or space renegades like Han Solo. Real estate agents are not spies like James Bond.